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Home  | Blog

WLT  Weekly

An illustration of a human figure lying on its back in a river with a boat floating nearby and large plants rising from the water
Essay

The Phonetic Uterus: A Journey through Language and Identity

September 24, 2025 | Arya Gopi
A tiled collage of Kiriti Sengupta's Selected Poems
Book Reviews

A Bustling-Personal Renegade against Fake Anonymity: Kiriti Sengupta’s Selected Poems

September 23, 2025 | Somudranil Sarkar
Patricio Ferrari and Nikola Madžirov conversing on a stage
Interviews

“With Each New Poem, We’re Reborn”: A Conversation with Nikola Madžirov

September 18, 2025 | Patricio Ferrari
Mahreen Sohail with the cover to her book Small Scale Sinners
Interviews

Crafting Stories and Sinful Pleasures: A Conversation with Mahreen Sohail

September 17, 2025 | Keija Parssinen
Mirza Alakbar Sabir and the first issue of Molla Nasreddin
On Translation

Mirza Alakbar Sabir: An Azerbaijani Poet-Satirist in Translation

September 16, 2025 | Lala Mammadova
A tile collage of the cover to Pioneer Summer
On Translation

Ten Translations (and Counting) of Pioneer Summer: Approaches and Techniques

September 15, 2025 | Anne O. Fisher
The cover to Water
Book Reviews

Water: Haleh Liza Gafori’s Rumi for Our Times

September 11, 2025 | Mina Raminsabet
Venita Blackburn with the cover to her book How to Wrestle a Girl
Interviews

Writing for Yourself First: A Conversation with Venita Blackburn

September 10, 2025 | Hunter Liguore
The cover to Bibhutibhushan Bandyopadhyay's book Kaleidoscope of Life
Book Reviews

The Post-Partition Kaleidoscope of Bibhutibhushan Bandyopadhyay’s Stories

September 09, 2025 | Gargi Dutta
A tile collage of the cover to Pioneer Summer
News and Events

OU’s Romanoff Center and WLT Host Event on LGBTQ+ Representation in Russia

September 04, 2025 | The Editors of WLT
Dina Nayeri with the cover to her book The Ungrateful Refugee
Essay

No Safe Place to Say Thank You: Ambivalence and Belonging in Dina Nayeri’s The Ungrateful Refugee

September 03, 2025 | César Andrés Caicedo
The author Mel Pennant and a copy of her book jacket, A Murder for Miss Hortense
Interviews

“Never hang your head, girl child, raise it up high like a so”: A Conversation with Mel Pennant

September 02, 2025 | Renee H. Shea
A medical bag with a stethoscope and an otolaryngioscope visible
Essay

Taking Stock: On Ferdinando Camon

August 29, 2025 | Patrick Autréaux
A collage of Wolf Totem book covers in translation
On Translation

Translating Ecology and Identity: How Wolf Totem Became a Global Environmental Parable

August 28, 2025 | Qiang Pi
A cup of coffee with stylized cream
Essay

To Resist a Dictatorship of the Absurd, an American Turns to Václav Havel

August 27, 2025 | Erik Gleibermann
A collage of Marc Alyn's book covers
Essay

“Whipped by the Angel’s Wings”: French Writer Marc Alyn at the Pinnacle of His Career

August 25, 2025 | Alice-Catherine Carls

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Recent Posts

Interviews
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Reclaiming Our Stories: How Two Oklahoma Women Are Healing Communities Through Education and Justice (Part 2—Celeste Lebak)

The Clara Luper Teachers’ Institute cohort stands together beneath the portrait of civil rights pioneer Clara Luper, committed to teaching…
January 15, 2026 | Karlos K. Hill, Celeste Lebak
Interviews
A woman stands beside a child as they look at a brightly colored toy in their hands

Reclaiming Our Stories: How Two Oklahoma Women Are Healing Communities Through Education and Justice (Part 1—Kristi Williams)

Kristi Williams works with a student at Black History Saturdays, the free monthly program she founded in Tulsa to teach Black history that…
January 13, 2026 | Karlos K. Hill, Kristi Williams
Essay
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Choreographic Process: The Marrow Thieves from Page to Stage

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All the Sublime and Not So Sublime Tales That Make Us: Olinda Beja’s The Shepherd’s House

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Photo by Robert / stock.adobe.com In telling stories, writers draw maps of the world. What if we imagined a different map?I always…
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