Tammy Lai-Ming Ho
- Postcard for One City One Book Hong Kong 2020, which featured Xi Xi’s My City The Shanghai-born Hong Kong writer Xi Xi (b. 1937) was the 2019 winner of the Newman Prize for Chinese…
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Illustration by Yang (see footnote) AS THE YEARS GO BY and I get more advanced in age, I find I have become increasingly self-aware. It’s hardly an astonishing revelation, of course,…
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Photo: Iva KrakovicGrace Chia is the author of the poetry collections womango, Cordelia, and Mother of All Questions, the short-story collection Every Moving Thing…
- Left: Dickens reading to his daughters. Right: The Pickwick Papers According to Guglielmo Cavallo and Roger Chartier, reading aloud was a common practice in the ancient world, the Middle Age…
- Bunches and Bits {Karina}, “Sepia,” November 2009 T. S. Eliot, in 1928, famously called Ezra Pound “the inventor of Chinese poetry for our time.”1 Eliot was referring to Pound’s renditions of fourtee…
- In Chan Koonchung’s The Fat Years, first published in Chinese in 2009 and translated into English in 2011, a novel depicting a dystopian contemporary China, people collectively forget import…
- Stone faces in Cambodia. Photo by Tammy Ho. In the second installment of “Asian Traumatic Poetics” (to read part 1, click here), I will look at two more poems published in Cha that discuss a…
- Chris Beckett, One & Other, by Antony Gormley, Trafalgar Square, London, 2009. In this post and one that will follow next week, I will explore the representation of personal trauma in po…
- Drew Wilson, “End of Amnesia,” 2009 1. Kazuo Ishiguro’s long-awaited The Buried Giant (2015), his first novel in ten years, is set in a mythologized fifth-century Britain in which pixies, dr…
- Hartwig HKD, “Black Icarus,” 2010. Old photographs and their conventions are both familiar and foreign to us, with their alienated and uncanny appeal. They also often seem very formal and stiff compa…