WLT Student Translation Prize – Poetry by Yu Jian
Reading Glasses
I am no longer young, a half-blind Homer,
wearing reading glasses to see the world.
The calendar shows that it is autumn, but I don’t see it.
The building across the street has no foliage.
A face halfway through its plastic surgery
has had glassy eyeballs reinstalled one too many times.
Yet the tongue has been ignored, which might be a good thing.
I have seen too much truth in my life,
now I can stand at the side of the fictitious,
whatever it is, give people a general idea, major points, or an outline.
Sublime words with deep meaning. Words carry weight, as a prophet speaks.
I used to stick to facts, fussing over
the details of Agamemnon crossing the Aegean Sea. I was ambitious.
I measured out the sea in spoons full of words and almost fell into the abyss,
yet was saved by reading glasses, with a black frame, with two brass screws.
From then on, I turned a blind eye to everything, except the font-no. 1 characters.
It is fine to take everything for granted on this planet. This autumn,
dust is screaming, while I am making up a thing called
autumn, a lateral side of a hippopotamus, a chessboard on hillsides,
a book of ravens spilling out onto an oil basin at night.
Lamenting Lake Dian
1.
in this era ordinary life almost equates to crime
who will accuse the sewers of a farmers market
last weekend on Yuanxi Road between summer vegetables that appeared in the market
the smell of horse fish like a vendor’s knife
slitting a bellyful of darkness
I froze in the crowds who’d come to get their dinner figured out
a frozen fish couldn’t hear the voices
I couldn’t understand if one wanted eggplant or steak
an astonishment the spying of a lunatic was cast here
I followed the dim light toward the smell I was defrosted
stepping into the water of memory from my whirlpool
darkness is dismantled a lake is evaporating barbels, beach, and whorled water milfoil
emerge in a bathhouse in bright light
a red highland is holding it like a vessel holding water
all creatures gain their origins at this height
mountains surround it the mountain-god Luoluo favors the nectar of the land
from it all rivers begin to flow beneath the earth
the watering pot for deciduous trees and beasts
the daughter of the tribal chief is sitting in a canoe of aborigines
clouds are heaping in the sky they are continuously cut apart by wind
like a free feather unled by a swan
over the refreshing water the gull is flying forever toward the end of day
when it stops like a balletic prophet
bending a reed on the imagined mirror
the southern bank forests of broadleaf oaks and bushes
the northern bank myths and folk songs
red hills and basins are on the eastern bank
caves and peacocks are on the western bank
words of diamond are everywhere
sentences of ivory tusk are everywhere
articles of tiger and leopard are everywhere
oh the creations of God
are enough to feed thirty thousand divine islands
are enough to create thirty thousand Edens
are enough to have thirty thousand golden ages appear
2.
the breeze from the ironworks has blown swarms of water hyacinth
onto the dam of God like demons’ green excrement
a piece of flashing light mingles with fishy odor . . . the chromium-plated glass
about the holy lake there isn’t seafood in my memory only rotten adjectives
like an American Indian I am recalling your caves of fish
. . . a hypocritical memory my generation doesn’t believe you are divine
that year in my elementary school in Kunming teachers were teaching Chinese every day
they taught me to admire certain sublime words to admire heroes yet never mentioned
you
except the god of people I knew no other gods . . .
outside the classroom my illiterate grandmother told me you were near my hometown
like mentioning the coffin she had made for herself many years ago
I finally went there sooner or later people of Kunming
would go to Lake Dian the world didn’t ask for a ticket at that time
a summer during Mao’s era the first time I saw the lake
that day you were like a giant bird in radiance
flying in through the window of heaven passing through the red flag
your navy webbed feet landed in the footprints of antiquity
the noontime in which sprites would come and go everything in this world desired naked bodies
tailing after dewy mothers ample mothers
entered another mother I went into the water I was not scared of water
I was a bold little atheist
I knew it was another mother my intuition
saw it as a woman
using her hands for shaping water dwellers using her body for reproducing ovaries
using her hands for embracing jellyfish using her body filled with fishy smell
to accommodate me I was your fruit my mother was your fruit
you used your dark liquidity to open many doors to life to swaddle me
summer is your content my mother and I are your tiny content
in my childhood philosophy my intuitive superstition is that earth and heaven last forever
I knew I would die before you you were the land
my dear mother and all the women I once felt passion for would die
before you
in the sequence of deaths this was the only thing I would do out of my free will
of course you should be the last one you were the grander you were the one
all these mother kindergarten house firefly and merry-go-round were
floating up
I felt born in water bending myself in your gentle tentacles
through volumes of brown seaweed stonefish’s wings were
flashing between my toes
clusters of pearls popped out of my skin
dark-green algae like islands’ hair twined around my neck
my legs were shining like a temple’s corridors like pure moss
yet later on I climbed ashore in terror I felt you in my body
I saw the temple you built in darkness your ice-cold colonnades
I saw you in the abyss managing the world with another kind of time
I was like a person being drowned a pale face unable to speak
I didn’t know how to tell them you were here
I was still a student that year
I couldn’t even write an essay about you
in the dry dictionary you were the house of recreation the fishpond the reservoir
the natural pool the scenic spot the sewer’s purge
Who said that gods lived here? yet your enticement was ubiquitous day by day
I put more and more clothes on
from you I was able to return to nakedness anytime loose and riotous
in so many naked summers the outdated Chinese tongue
was wandering on your wild mountains and river banks all day like an illiterate sambar deer
wading into a river as soon as meeting it climbing onto a mountain as soon as seeing it
outside the circumference of time I have encountered eternity many times
3.
a few traces of mildew an empty pool
is seeping out sickening water
the Sichuan man who butchers eels uses his bloody hands
to put a viscid mass into a plastic bag like a lung
it inflated slowly then exhaled a fresh odor
how familiar I am with this smell it reminds me of the son of water sprites
in the summer of 1966 he left his ass exposed standing beside me
fishing rods were resting upon the reeds he made better corn noodles than I did
fish swam toward his hook alone on my side things were still under the water
something kept glittering it made me itchy he got another fish
for the first time his waves made me jealous
we jumped into the water in the afternoon my cousin said that a fish was biting his shank
I seized the chance to destroy his trap in the dimly lit dusk
along the new bank made of waves we went back home across the heavens
I was once on a wooden boat from Gray Bay across Grass Sea I found there
a temple of god right under the boat fairies’ eyes were shining
within my reach red herrings’ fuzz on them in Niulian county
fishermen told me countless grandmothers were born here
every July they sat on lotuses and showed up by the lake
when the west wind cracked the land I saw you warped
like a torn comforter by violence revealing rows of white cotton batting
yet I swam through the heart that you hid deeply under water
and found it firm balanced the same as the sea
when you became calm and quiet you slid down along the ridge of the sunset
like a blot of navy flag with no nationality indicated
then covered the hard corner of an empire
near Mouth of White Fish I left the soles of my feet bare
crouched like a woman of Dai and fell into your gentle and warm body
I once stood at the top of the West Mountain heard the sound of moonlight hitting the highland at midnight
I once stood outside Jining City in the back garden of a Chinese temple
in the distance saw you embedded in the world’s darkness your golden waves were gleaming ah Lake Dian you shine upon me
I proclaim myself the first one who has celebrated you in Yunnan dialect
4.
enter the clearer from the clear the body has been reduced to pieces and transformed
moving toward the career of fish flying in a glass labyrinth
with four limbs youth can escape from death
I’ve learned a big thing swimming
my world crosses the boundaries of the solid
and goes deep into the domain beyond land masses I am an amphibious human being
I’ve jumped into Lake Dian ten thousand times shuttled back and forth between surging peaks of waves
riding through large breasts one after another
dancing in the loose leaves of warm or cold currents
experiencing the immortal horse of love
in the territory of Nobody making waves
the transparent broke yet behind me the mirror restored itself
and opened up the invader would not be lacerated
you are a mirror leading to nihilism’s edge
you are also the concrete humidity liquid buoyancy depth temperature
warping the regular lines damaging the established standards I went upward into suffocating darkness and went downward to open my bestial mouth
by the ear of a black-tail carp I had a mouth full of living water
enjoyed shapeless freedom in a shaped being
beyond the state’s sovereignty I carved a surreal path
you guided my superficiality and depth
no matter if you were warm or cold
I sank in water if my muscle cramped you’ve never faked the data of the water supply
in my youth I was capricious as Byron’s sea
my hyperbolic transformation was to be outstanding
my sound and my fury my decadence and my loneliness you were always with me I was crushed over and over again ashore
yet was restored over and over again in your embrace
you were a tacit understanding a constant a circle
a container that I was unable to create
at the age of sixteen I had sixteen dripping-wet centuries
at the age of sixteen I had sixteen vigorous friends
at the age of sixteen I had sixteen splendid summers
in the Greek golden age of my life I was naked healthy strong
in crowds my skin turned brown
5.
those brown ages have flaked from my skin forever
those words born in water can’t be discovered in standard Chinese
now I am fat and often use soap
gasping for breath calculating what vegetable has more vitamins
my memory swells with bugs and flaws . . . a cast iron fistula
I am not sure whose brain is behind it
dirty blood like the smell of the Dead Sea has stained my heels
I see the god of death sitting on a yellow boat staring at me
I can no longer remind myself of your color have you ever had those colors
lake blue green blue sky blue dark blue peacock blue
How come ten years later I have to use a brand-new dictionary
to mention you?
These sentences should be under the pen of students of the damned Chinese language and literature
“from darkness that pit lifts its leper’s face
it is breathing under the starry sky no one is swimming no fishes impregnated
behind the scrap field of the factory someone is digging out dead mice”
What terrifying thing made
the sky so quiet? the sun so amiable?
like nothing has happened people continue their futile dinners
What terrifying has thing happened?
Why have all the things I praised suddenly vanished without a trace?
Why suddenly has my lab of poetry
my headquarters of aesthetics my cathedral of faith
become a somber morgue
I always proclaim myself your faithful singer
I disdain the fictitious I reject the fantastic
oh what has made me a hypocritical liar
All the cantos about you I once wrote
became unfounded rumor!
I pondered death I speculated where it might appear
I thought it was merely a late guest deceptively showing up in the fourth act of a tragedy
I thought it was as usual recorded in a homicide
scene
I thought it was nothing more than a group of empty tins falling
from the table of time according to God’s order
who could’ve known that this lord entered from the bedroom of eternity
not from those short-lived things not from those poisonous flowers of evil
not from those well-known atrocities ah, death
lays its hands on things we rely upon most the place behind our back
where everything is accepted the god of death
is no longer the totem of Hitler nor is it the colonialists’ compass
it’s color-blind it can’t see it can’t hear
no right no wrong it’s unfeeling and cruel
it cannot distinguish red from black leftism from rightism men from women
English from Mandarin
Teutons from Jews Lake Dian from plastic wrap
blood from drill ships livers from piers it is total’s
total poison killer it’s humanity’s concentration camp
it has no address no CCP membership one can’t find its burrow
in any country it’s not a war that can be brought to its end by a nuclear bomb
not the bacteria that can be wiped out by a dozen injections
it is printed out at random on the recipe for the dish
it is sitting in the bathroom with its legs crossed it’s the salt transported into Africa
it’s in a Chinese restaurant in California tonight a stomach with normal appetite
it wants us to die when we take off our flip-flops to die on the ground when we brush our teeth
it has been across trenches across gallows whistling and coming into the kitchen
entering the garden exposing its false teeth to the pillow it lurks in life’s trivia
in all the details in cups in tea canisters it lurks in the navel of autumn
it makes itself up as our bride dresses itself up as lake hillock
we don’t trust politics we conspire in marriage we remain suspicious of
hospitals
yet in wind and spring in water and plants in the natural world in bedroom and
backyard
in Lake Dian in our hometown we believe
what a preposterous world
we are still alive Lake Dian is dead!
eternity as a prisoner under the sentence of death
falls from the line of the eternal
falls in the column of the damned
oh the thousand-year king of lakes
on the land a corpse that enjoyed the longest life
your blue skin on which flowers are rolling
your transparent placenta that gives birth to elements
your palace of all creatures your divine church!
6.
this death devalues the living
this death makes life vapid
this death leaves time meaningless
this death is surprisingly dead
the world! What else can be dead on your land?
we lament the ends of the dynasties one after another
we attend the funerals of the emperors one after another
we hate war we arrest murderers we fear death
Chorus Master haven’t you ever sung a dirge for the death of a lake?
Judge haven’t you ever cared about the murderer of the sky?
Men have you ever feared the death of the land?
oh let my soul’s nation order the flag to fly at half-staff
let me rush to your funeral alone
god! I was born in an age of atheism
for the eternal one I have no fear or veneration
I’ve learned from you transcendent genius and wisdom not yet learned holding things in awe and gratitude
oh great god in darkness I soak my hands in your putrid water
let me putrefy please give me a heart of gratitude a heart of reverence
I want to use my poetry to build you a temple
I want to be in your temple to redeem myself
Poetry
when the vessel is ruined before you
Who should come to listen to your sound?
Who should come to fulfill your immortality?
Poet
you can remold language imagine flowers gain the honor or disgrace you yearn for
but how can you determine the fate of the king of lakes?
let it sustain its divine lineage presentable
silence yourself the hypocritical author
when the land is crucified the god is dying your hymn
is merely a refrain of the god of death
Go home! It is dark people’s voices emanate from water spinach and
salted meat
I wake up from the night of a new city a few young men wearing swimsuits
are passing by like fish like the fish that have changed their old routines
stepping onto the land they are laughing out loud a dry and new generation is
bypassing this absurd middle-aged man
wrinkling their noses and worming their way into a cinema
A Phone Call from Dongyang
I’d actually just landed and was dragging my luggage
through the freezing airport and thinking about a poem by Auden:
“The mercury sank in the mouth of the dying day.”
under the icy field of a foreign town Yeats was not buried there
suddenly, my phone rang an incoming call from the unrecognized talent Dongyang
who was with three or four poets drinking wine in the waves of the South China Sea
he’d drunk-dialed me Old Yu, buy a ticket
and get out here! make a toast I am embarrassingly poor but you can fly
I was speechless ever since the sea change of public transportation I’d never even
thought about it
the friendship between gentlemen as I recall all started from a
moonlit night a walk
the junior coming from the north was uncorrupted many years ago we
met each other in the world hit it off and got down to business:
a night discussion from nihilism to the classics to Socrates
then they would get tired as the tide receded and salt went back to the beach until
one day a night would become the hometown it would soon snow
he held a white porcelain cup appearing on the screen of the night
he was flushed bright as a blacksmith
Translation from the Chinese