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Home  | Blog

WLT  Weekly

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Book Reviews

Bringing Light to the Situation of Kurdish Women: Chinur Sa’idi’s Hobbies of Mr. Like-a-Man

February 23, 2022 |Zakarya Bezdoode
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Book Reviews

Robin Davidson’s Mrs. Schmetterling, Quiet Revolutionary

February 22, 2022 |Alice-Catherine Carls
Culture

Remembering Vijay Tendulkar’s Ghashiram Kotwal

February 21, 2022 |Ashutosh Potdar
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Interviews

Finding Refuge and Inspiration in the “City of Bridges”: A Conversation with Tuhin Das

February 16, 2022 |Michelle Johnson
A black and white photograph of author Julie Otsuka
Interviews

Inching toward the Personal: A Conversation with Julie Otsuka

February 15, 2022 |Renee H. Shea
A photograph of Samrat Upadhyay juxtaposed with the cover to his book's Buddhas Orphans and Mad Country
Interviews

Nepal and Pan-Nepalese Identity: A Conversation with Samrat Upadhyay

February 14, 2022 |Koushik Goswami
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Interviews

Half Black, Half Blacker: An Interview with Blues Poet Sterling Plumpp

February 09, 2022 |John Zheng
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Interviews

Cards on the Table: Three Contemporary Italian Women Writers Open the Doors of Their Workshops

February 08, 2022 |
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Fiction

Thirty-Six

February 08, 2022 |Malika Moustadraf
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Essay

Teaching in the Age of Intolerance

February 02, 2022 |Ilan Stavans
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Book Reviews

Emancipatory Queerness in the Work of Roberto Bolaño

February 01, 2022 |Erika Almenara
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Poetry

The End of the World

January 31, 2022 |Natan Zach
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Book Reviews

Jorge Edwards’s Elegant Homage to Pablo Neruda

January 27, 2022 |César Ferreira
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Culture

Maggie Gyllenhaal’s Lost Daughter: A Marvelous Betrayal

January 24, 2022 |Enrica Maria Ferrara
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Interviews

A Novel of Old Shanghai: In Conversation with Weina Dai Randel

January 20, 2022 |Susan Blumberg-Kason
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Poetry

The Tree

January 18, 2022 |Kalpna Singh-Chitnis

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