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Home  | Blog

WLT  Weekly

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Poetry

Two Polish American Poems

March 13, 2023 |Piotr Florczyk
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Essay

Warsick: Testimonial Plays Share Ukrainians’ Experience of War

March 08, 2023 |Oleksandra Wallo, Anna Halas
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Essay

Science Fiction Tried to Warn Us about AI. Or Did It?

March 01, 2023 |Tom Gammarino
The cover to the May/June 2022 issue of WLT (featuring a striking illustration of a bird-faced figure on a stark red background). Text adjacent reads: Muses: Writers, Artists, and Their Inspiration.
News and Events

World Literature Today Seeks Votes in ASME Best Cover Contest

February 28, 2023 |The Editors of WLT
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Poetry

Two Poems from the Iraqi Diaspora

February 16, 2023 |Saadi Youssef
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Lit Lists

The Love Month: Odes to Romance and Friendship

February 13, 2023 |Peyton Winter
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Book Reviews

The Power of Words and the Power of Desire: Manuel Ulacia’s Origami

February 06, 2023 |Jonathan Harrington
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News and Events

WLT to Launch “The Russophone Literature of Resistance” Issue on March 1

February 02, 2023 |The Editors of WLT
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News and Events

RC Davis-Undiano Play Opens Feb. 10

January 25, 2023 |WLT
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News and Events

WLT Seeks Graphic Designer

|WLT
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Book Reviews

Stitches That Bind: Oscar Hokeah’s Calling for a Blanket Dance

January 24, 2023 |Kyrié Eleison Owen
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Book Reviews

In Between Coming and Leaving: Kiriti Sengupta’s Water Has Many Colors

January 18, 2023 |Somudranil Sarkar
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Creative Nonfiction

Landlines

January 17, 2023 |Marlene Olin
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Interviews

The Wealth of Strong Poetry: A Conversation with Ruth Stone

January 12, 2023 |Chard deNiord
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Interviews

Taking Her Cue from Baldwin: A Conversation with Sarah Ladipo Manyika

January 09, 2023 |Chibueze Darlington Anuonye
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Essay

Self-Portrait of the Other: Translating for a Globalised World

January 04, 2023 |Naveen Kishore

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News and Events
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OU’s Romanoff Center and WLT to Host Event on LGBTQ+ Representation in Russia

The University of Oklahoma’s Romanoff Center for Russian Studies and World Literature Today invite you to a free zoom conversation scheduled…
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Essay
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No Safe Place to Say Thank You: Ambivalence and Belonging in Dina Nayeri’s The Ungrateful Refugee

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Interviews
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