WLT  Weekly

A photograph of a house, painted green, with an comma painted between window and door
Interviews

Finding Refuge and Inspiration in the “City of Bridges”: A Conversation with Tuhin Das

February 16, 2022 |Michelle Johnson
A black and white photograph of author Julie Otsuka
Interviews

Inching toward the Personal: A Conversation with Julie Otsuka

February 15, 2022 |Renee H. Shea
A photograph of Samrat Upadhyay juxtaposed with the cover to his book's Buddhas Orphans and Mad Country
Interviews

Nepal and Pan-Nepalese Identity: A Conversation with Samrat Upadhyay

February 14, 2022 |Koushik Goswami
A photograph of Sterling Plumpp
Interviews

Half Black, Half Blacker: An Interview with Blues Poet Sterling Plumpp

February 09, 2022 |John Zheng
Handwritten notes over typeset text that reads Economica Laterza
Interviews

Cards on the Table: Three Contemporary Italian Women Writers Open the Doors of Their Workshops

February 08, 2022 |
A photograph of the interior of city alley. Here, a collection of used mannequins gather outside of a stone archway
Fiction

Thirty-Six

February 08, 2022 |Malika Moustadraf
A photograph of a wall with the words, "No one is illegal" spray painted on it
Essay

Teaching in the Age of Intolerance

February 02, 2022 |Ilan Stavans
An abstract image of a black field with circles embossed into it, framed by gold. The image is set against a cream background.
Book Reviews

Emancipatory Queerness in the Work of Roberto Bolaño

February 01, 2022 |Erika Almenara
A photograph of figures on a beach. The photograph is heavily colored in red and orange tones.
Poetry

The End of the World

January 31, 2022 |Natan Zach
The cover to Jorge Edwards Oh, Maligna juxtaposed against a photo of Pablo Neruda
Book Reviews

Jorge Edwards’s Elegant Homage to Pablo Neruda

January 27, 2022 |César Ferreira
A photograph of a woman wearing sunglasses and a loose-fitting knee-length white garment sits on a lawnchair by a pool
Culture

Maggie Gyllenhaal’s Lost Daughter: A Marvelous Betrayal

January 24, 2022 |Enrica Maria Ferrara
A triptych featuring a photograph of author Weina Dai Randel, the cover to her book The Last Rose of Shanghai, and a photo of interviewer Susan Blumberg-Kason
Interviews

A Novel of Old Shanghai: In Conversation with Weina Dai Randel

January 20, 2022 |Susan Blumberg-Kason
A photograph of a recently clear-cut forest with a solitary tree left standing toward the left edge of the frame
Poetry

The Tree

January 18, 2022 |Kalpna Singh-Chitnis
A black and white photograph of young people, many wearing masks, protesting climate inaction
Book Reviews

A New Paradigm: Youth Climate Activists on the Front Lines of Change

January 12, 2022 |Sofia Simon
A photograph of a town built up on a mountainside
Book Reviews

Beyond Ekphrasis: Rereading Jean Giono’s Ennemonde

January 11, 2022 |Alice-Catherine Carls
A photograph of a dewdroplet collected in a dark green leaf
Words for Thought

Tiruvalluvar’s Tirukkural (an excerpt)

January 11, 2022 |