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Home  | Blog

WLT  Weekly

A simple white line drawing of a woman's body on a black canvas
Creative Nonfiction

Storying the Body

January 17, 2024 |Stevi L. Smith
The cover to Redolent Rush
Book Reviews

A Rush of Indian Stories: A Review of Redolent Rush

January 09, 2024 |Dustin Pickering
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Fiction

North Star

December 20, 2023 |Alberto Chimal
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Culture

Here I Am, Lord: The Devotional Art of Maryam Lamei

December 18, 2023 |Yahia Lababidi
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Poetry

A Bilingual Poem from Gaza

December 14, 2023 |Refaat Alareer
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Creative Nonfiction

Strange Scrawls

December 13, 2023 |Connor Lee McLean
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News and Events

Announcing WLT’s 2023 Pushcart Prize Nominees

December 12, 2023 |Daniel Simon
A photograph of Miho Kinnas along with the cover to her book Waiting for Sunset to Bury Red Camellias
Interviews

Poet, Translator, Mirror: A Conversation with Miho Kinnas

December 06, 2023 |Renee H. Shea
The covers to ten books from the Notable Translations list below
Lit Lists

75 Notable Translations 2023

December 05, 2023 |Michelle Johnson
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Creative Nonfiction

Things the Puppy Eats

November 30, 2023 |Marlene Olin
Darlington Chibueze Anuonye and his mother, July 2005, on the occasion of Anuonye’s primary school graduation
Interviews

Those Who Create Desire an Audience: A Conversation with Darlington Chibueze Anuonye

November 29, 2023 |Anthony Chibueze Ukwuoma
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Lit Lists

12 Books for Tolerance and Understanding (2023)

November 15, 2023 |The Editors of WLT
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Essay

Do Not Repeat

November 09, 2023 |Liza Martín
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News and Events

Maya Directors to Headline Film Festival at OU

November 03, 2023 |Carol Rose Little
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News and Events

World Literature Today to Co-host Online “RESISTIR Latin America” Poetry Event

October 31, 2023 |The Editors of WLT
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Interviews

A Quiet Author’s Written Rebellion: An Interview with Ananda Devi

October 25, 2023 |Dinah Assouline Stillman

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Book Review
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There is a kind of natural unraveling in Kiriti Sengupta’s poetry that, while complex, feels as effortless as the silence after separation:…
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