|
The Club of True Creators by Milan Tripković
|
[email protected]
|
|
|
The Coastal Path, by Eleni Kefala
|
[email protected]
|
|
|
The Cockroach, by Luís Fernando Veríssimo
|
[email protected]
|
|
|
The Coffee Shop Masquerade by T. A. Morton
|
[email protected]
|
|
|
The Collected Prose 1948-1998
|
kaitlinh
|
|
|
The Collective by Don Lee
|
m.khans
|
|
|
The Colonial Conquest, Volume 1 of The Confines of the Shadow by Alessandro Spina
|
[email protected]
|
|
|
The Colony by Audrey Magee
|
[email protected]
|
|
|
The Color Line by Igiaba Scego
|
[email protected]
|
|
|
The Color of Smoke by Menyhért Lakatos
|
[email protected]
|
|
|
The Colors of Dawn: Twentieth-Century Korean Poetry
|
[email protected]
|
|
|
The Colors of Poetry: Anna Frajlich’s Lifework, by Alice-Catherine Carls
|
[email protected]
|
|
|
The Coming-of-Age Story of a Muslim Boy Wins India’s Highest Literary Prize, by Leeya Mehta
|
[email protected]
|
|
|
The Competition of Unfinished Stories by Sener Ozmen
|
[email protected]
|
|
|
The Complete Wimmen’s Comix
|
[email protected]
|
|
|
The Complex and Comic Life of Luis Buñuel, by Andrew Horton
|
m.khans
|
|
|
The Confessions of a Number One Son: The Great Chinese American Novel by Frank Chin
|
m.khans
|
|
|
The Conscience and Craft of Theodore J. Ziolkowski (1932–2020), by Daniel Simon
|
[email protected]
|
|
|
The Consequences of Story: A Conversation with Manuel Muñoz, by Renee H. Shea
|
[email protected]
|
|
|
The Contemporary American Essay
|
[email protected]
|
|
|
The Contemporary Spanish-American Novel: Bolaño and After
|
m.khans
|
|
|
The Conversation Continues: An Interview with Alison Anderson and David Shook on Women in Translation
|
m.khans
|
|
|
The Corrected Version by Rosanna Young Oh
|
[email protected]
|
|
|
The Count’s False Banquet by Benjamin Kwakye
|
[email protected]
|
|
|
The Cowshed: Memories of the Cultural Revolution by Ji Xianlin
|
[email protected]
|
|
|
The Cracks We Bear by Catalina Infante Beovic
|
[email protected]
|
|
|
The Critic as Amateur
|
[email protected]
|
|
|
The Crossings: Poems on War, Migration and Survival by Chaitali Sengupta
|
[email protected]
|
|
|
The Cubanmaid’s Tale, by Carlos Pintado
|
[email protected]
|
|
|
The Cultural Revolution as Subnarrative
|
m.khans
|
|
|
The cultural victims of war, translating book titles, and poetry’s three-second rule
|
kaitlinh
|
|
|
The Curse of the Flores Women: A Novel by Angélica Lopes
|
[email protected]
|
|
|
The Cyclist Conspiracy, Svetislav Basara
|
m.khans
|
|
|
The Cypress Tree, by Shereen Malherbe
|
[email protected]
|
|
|
The Dance and the Fire: A Novel by Daniel Saldaña París
|
[email protected]
|
|
|
The Dancers and the Dance: David Rigsbee’s Watchman in the Knife Factory, by Tim Hunt
|
[email protected]
|
|