When long-haired androgynous creatures, flying over Delhi, begin to show up on Snapchat feeds and WhatsApp posts, military measures must be taken.
Guest editor Amit R. Baishya introduces this special section on Delhi | In the Anthroposcene
“The leaves are moving — like tongues, like time, like tradition, / like things rise inside an oven, soft and curious. / The leaves are moving — they’re like smoke, / always waiting for the wind to push them,” from “Asvattha,” by Sumana Roy
“Beyond / this tedious Monday calm, an algorithm // without hunger / without teeth, something thrums / like a splinter of unease beneath the soles // of my feet,” from “Rhesus macaque,” by Nitoo Das
it’s the first time in weeks i’ve been / able to stay all day on my feet & this / makes me want to say yes & keep / saying it,” from “First Warm Sunday of the Year,” by Safia Elhillo
The Captive
A man shelters from war in Gaza with his ailing fish, his mind turning to Yuri Gagarin, the first man in space.
Seven Times Happy
Excerpts from Cross for Sale, a loose collection of stories and memories about growing up in Nablus in the 1960s.
Blurring the Interspecies Divide: Eeb Allay Ooo! and Multispecies Cohabitation in Anthropocene Delhi
Section editor Amit R. Baishya on Prateek Vats’s Eeb Allay Ooo!
Poupeh missaghi reached out to a few people on the ground in Tehran and asked them to share their observations and insights on contemporary reading habits in Iran.
In this review-essay, Laura Pensa considers Las niñas del naranjel, a historical fiction that is also intimate, deviant, and populated by other presences.
Traversing the Human/Simian Divide: A Conversation with Prateek Vats
A conversation with Prateek Vats, whose film Eeb Allay Ooo! is part of an emergent oeuvre of multispecies cinema from India.
Punishment Without Crime: A Conversation with Laila Lalami
A conversation between Emily Doyle and Laila Lalami, whose The Dream Hotel, takes a harrowing look at data-driven surveillance.