| The Collective by Don Lee
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| The Colonial Conquest, Volume 1 of The Confines of the Shadow by Alessandro Spina
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| The Colony by Audrey Magee
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| The Color Line by Igiaba Scego
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| The Color of Smoke by Menyhért Lakatos
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| The Colors of Dawn: Twentieth-Century Korean Poetry
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| The Colors of Poetry: Anna Frajlich’s Lifework, by Alice-Catherine Carls
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| The Coming-of-Age Story of a Muslim Boy Wins India’s Highest Literary Prize, by Leeya Mehta
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| The Complete Wimmen’s Comix
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| The Complex and Comic Life of Luis Buñuel, by Andrew Horton
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| The Confessions of a Number One Son: The Great Chinese American Novel by Frank Chin
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| The Conscience and Craft of Theodore J. Ziolkowski (1932–2020), by Daniel Simon
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| The Consequences of Story: A Conversation with Manuel Muñoz, by Renee H. Shea
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| The Contemporary American Essay
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| The Contemporary Spanish-American Novel: Bolaño and After
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m.khans
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| The Conversation Continues: An Interview with Alison Anderson and David Shook on Women in Translation
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m.khans
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| The Corrected Version by Rosanna Young Oh
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| The Count’s False Banquet by Benjamin Kwakye
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| The Cowshed: Memories of the Cultural Revolution by Ji Xianlin
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| The Critic as Amateur
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| The Crossings: Poems on War, Migration and Survival by Chaitali Sengupta
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| The Cubanmaid’s Tale, by Carlos Pintado
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| The Cultural Revolution as Subnarrative
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m.khans
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| The cultural victims of war, translating book titles, and poetry’s three-second rule
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kaitlinh
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| The Curse of the Flores Women: A Novel by Angélica Lopes
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| The Cyclist Conspiracy, Svetislav Basara
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m.khans
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| The Cypress Tree, by Shereen Malherbe
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| The Dance and the Fire: A Novel by Daniel Saldaña París
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| The Dancing Other by Suzanne Dracius
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| The Dangers of Smoking in Bed by Mariana Enriquez
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| The Dark Forest by Cixin Liu
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| The Dark Side of Skin by Jeferson Tenório
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| The Daughter of Doctor Moreau by Silvia Moreno-Garcia
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| The Dawn of Everything: A New History of Humanity by David Graeber & David Wengrow
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| The Day of Shelly’s Death: The Poetry and Ethnography of Grief by Renato Rosaldo
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m.khans
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| The Day Was Gay: A Tribute to Jorge López Páez (1922–2017)
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m.khans
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