WLT  Weekly

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News and Events

WLT Seeks Graphic Designer

|WLT
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Book Reviews

Stitches That Bind: Oscar Hokeah’s Calling for a Blanket Dance

January 24, 2023 |Kyrié Eleison Owen
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Book Reviews

In Between Coming and Leaving: Kiriti Sengupta’s Water Has Many Colors

January 18, 2023 |Somudranil Sarkar
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Creative Nonfiction

Landlines

January 17, 2023 |Marlene Olin
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Interviews

The Wealth of Strong Poetry: A Conversation with Ruth Stone

January 12, 2023 |Chard deNiord
A black and white photograph of Sarah Ladipo Manyika
Interviews

Taking Her Cue from Baldwin: A Conversation with Sarah Ladipo Manyika

January 09, 2023 |Chibueze Darlington Anuonye
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Essay

Self-Portrait of the Other: Translating for a Globalised World

January 04, 2023 |Naveen Kishore
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Intern’s Picks

Taylor Jenkins Reid’s Kaleidoscopic Rock ‘n’ Roll Novel

December 20, 2022 |Julia Wu
A photograph of author Volodymyr Vakulenko, his hands clasped under his chin as he looks at the camera
Essay

Signs of Ethnic and Cultural Genocide in Ukraine: The Murder of Children’s Book Writer Volodymyr Vakulenko

December 16, 2022 |Michael M. Naydan
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News and Events

Announcing WLT’s 2022 Pushcart Prize Nominees

December 14, 2022 |Daniel Simon
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Culture

The Vow: Trials within Trials

December 13, 2022 |Yahia Lababidi
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Book Reviews

Hope That Can Heal: Kari Gunter-Seymour’s alone in the house of my heart

December 12, 2022 |Hephzibah Roskelly
The cover to Sudeep Sen’s Converse on a mustard background
Book Reviews

Confluently Conversant: Sudeep Sen’s Converse

December 08, 2022 |Somudranil Sarkar
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Culture

The Victory of Our Revolution Is the Final Triumph of Tahirih, Homa Darabi, and the Blue Girl

December 06, 2022 |Shokoofeh Azar
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Lit Lists

World Literature Today’s 75 Notable Translations of 2022

December 05, 2022 |Michelle Johnson
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Interviews

Writing as a Cocoon of Absolute Freedom: A Conversation with Pajtim Statovci and David Hackston

November 21, 2022 |Keith Brown