| The Brush by Eliana Hernández-Pachón
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| The Bullet Train and Other Loaded Poems by RaSh
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| The Butterfly Collector by Fred McGavran
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| The Button, Iren Rozdobudko
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| The Café with No Name by Robert Seethaler
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| The Cake Tree in the Ruins by Akiyuki Nosaka
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| The Calligrapher's Secret
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| The Cambridge Companion to the Essay
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| The Cambridge History of the American Essay
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| The Cambridge History of the British Essay
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| The Capital by Robert Menasse
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| The Captive, by Agur Schiff
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| The Carrying by Ada Limón
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| The Cartographer of Absences: A Novel by Mia Couto
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| The Case of the Nuncas, by José Ángel Gutiérrez
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| The Cat Who Saved Books by Sosuke Natsukawa
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| The Catholic Writer Today by Dana Gioia
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| The Celestial Hunter by Roberto Calasso
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| The Celestial Team
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| The Chasers by Renato Rosaldo
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| The Cheikh Bookstore: One of Few Still Standing in Algeria, by Saliha Haddad
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| The Childlike Daring of Ọlábísí Àjàlá, Global Citizen, by Darlington Chibueze Anuonye
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| The Children of Greenwood, by J’aime Griffith
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| The Children of This Madness by Gemini Wahhaj
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| The Chinese Cinematic Cosmos, by Mike Fu
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| The Cities of Giorgio de Chirico / Oraşele lui Giorgio de Chirico by Constantin Severin
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| The City and Its Uncertain Walls by Haruki Murakami
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| The City of the Walking Flower, by Salman Masalha
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| The Clash of Images
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| The Classroom That Disappeared, by Ziad Khadash
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| The Clerk by Guillermo Saccomanno
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| The Club of True Creators by Milan Tripković
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| The Coastal Path, by Eleni Kefala
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| The Cockroach, by Luís Fernando Veríssimo
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| The Coffee Shop Masquerade by T. A. Morton
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| The Collected Prose 1948-1998
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