| Advice to the New Guard: A Conversation with Translator Jessica Cohen by Veronica Esposito
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| Aesthetics of Dystopia: <em>Blindness</em> from Novel to Film, by Carolina Rueda
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m.khans
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| Affections by Rodrigo Hasbún
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| Affective Hierarchies: Viewer Bias and Female Suffering in Severance, by Tammy Lai-Ming Ho
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| Afgrunden by Kim Leine
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| Aflame: Learning from Silence by Pico Iyer
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| African Battle Traditions of Insult: Verbal Arts, Song-Poetry, and Performance
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| African Cinema’s Alternative Archives and Boubacar Boris Diop’s Doomi Golo, by Rita Keresztesi
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| African Literatures as World Literature
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| African Lives: An Anthology of Memoirs and Autobiographies
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m.khans
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| African Women Writing Resistance: Contemporary Voices
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m.khans
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| Africanish Womanhood, the Body in Between: Esinam Bediako and Itoro Bassey in Conversation, by Esinam Bediako & Itoro Bassey
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| Afro-Centered Futurisms in Our Speculative Fiction
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| Afrofuturism at the Museum of Pop Culture, by Bunmi Ishola
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| After the Apocalypse by Maureen F. McHugh
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m.khans
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| After the Fire by Henning Mankell
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| After the Transitions, by Krzysztof Siwczyk
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| Against Architecture by Franco La Cecla
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Anonymous (not verified)
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| Against the Current by Tedi López Mills
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| Against the Horizon, by Clemonce Heard
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| Against the Loveless World by Susan Abulhawa
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| Agostino by Alberto Moravia
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m.khans
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| Ah, Mouthless Things by Lee Seong-Bok
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| Ahmad Shamlou on the World Stage: A Conversation with Niloufar Talebi, by Samad Alavi
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| AI; or, What Professors Can Learn from Chess, by Iheoma Nwachukwu
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| Ailleurs est maintenant by Krzysztof Siwczyk
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| Air Raid by Polina Barskova
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| Akkawoo, by Lena Bezawork Grönlund
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| Al-Mutanabbi Street Broadsides
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m.khans
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| Al-Mutanabbi Street Starts Here
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m.khans
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| Alain Mabanckou’s six favorite books, the 20th anniversary of Harry Potter, and more
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m.khans
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| Albert Camus
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kaitlinh
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| Albert Camus: Elements of a Life
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kaitlinh
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| Alcatraz Is Not an Island, by Dean Chavers
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| Alcatraz, Alcatrace,القطر, by Nicole Peyrafitte & Pierre Joris
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| Alexandria: The City That Changed the World by Islam Issa
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