Dallas. Phoneme Media. 2024. 240 pages.
Those familiar with Irma Pineda’s poetry and the Binnizá (Isthmus Zapotec) cultural traditions will instantly recognize the origins of the emo…
Wendy Call
- Minneapolis. Milkweed Editions. 2024. 224 pages. In How to Be a Good Savage and Other Poems, poet and writer Mikeas Sánchez explores themes of identity, family, religion, and the nat…
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Photo by Motohiro Sunouchi / Flickr ¿Tii maa papa’? Akgtum jaxanat, xkilhpin akgapun, skitit xla lhtukit, xtatsan katsisni’, skgatanat xmakasiyan kuyu’. …
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Photo by Pavel Kirillov / Flickr [Tä’äjk] Tä’äjk ijsyi’ajpajna’ sänhkä’ pitzä’omoram watpajna’ kayajupä’koroyaram äj’ wejkäis’te myajkpäupä te’ kakuy…
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Gabriela Morac, Laz Duá (2020), linocut, 15 x 11 in. [Dxapahuiini’ lu té] Dxapahuiini’ lu té Dxapahuiini’ cá dxiibi’ guié lu Dxapahuiini’ ni biniti guendaruxidxi lade y…
- Illus. Natalia Gurovich. Mexico City. Pluralia Ediciones e Impresiones. 2021. 160 pages. TO PUBLISH POETRY written in endangered Indigenous languages not only preserves the lang…
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Photo by Se Osomajtli Tsawi For Indigenous writers like Zoque poet and activist Mikeas Sánchez, language serves as a unifying element in the struggle to defend lands and life. This essay’…
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Miktlanziwatl (Lady of Death) © Cara Romero. All Rights Reserved. Abyayala Full of Questions América, I don’t invoke your name. When I bare my heart to the swo…
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The Weapon is Sharing (This Machine Kills Fascists), by Cannupa Hanska Luger, ceramic, 2017. Photo courtesy of the artist. The Zoque and Spanish originals of this poem appear …
- Irma Pineda "You Will Not See Me Die" Natalia Toledo "The Weaver" "For T.S. Eliot" Victor Terán "I Know Your Body"