Erik Gleibermann
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Photo by Javier Santos Guzmán on UnsplashSpeeding on a packed rush-hour Metrobus from La Bombilla (Lightbulb) station for Chilpancingo (Wasp), I suddenly imagined myself as one of countless urban part…
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A view of Lagos Marina | Photo by Namnso Ukpanah on Unsplash THE WOMEN SLIDE through stalled traffic, balancing on their colorful head scarves baskets of plantains for sale, or groun…
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The African Poetry Book Fund (APBF) promotes and advances the development and publication of the poetic arts through its book series, contests, workshops, and seminars, and thro…
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Cloud Photo by Nathan Dumlao on Unsplash & Ingrid Rojas Contreras Photo by Jeremiah Barber Days after a bicycle crash that would erase her memory for two months, Ingrid Rojas Contreras answer…
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Left to right: Ayobami Adebayo, Chigozie Obioma, and Romeo Oriogun Three millennial writers probe inner male conflict while the patriarch Achebe looks on. A man lays his head on his…
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Photo by James M. Manyika Sarah Ladipo Manyika has lived a global story that mirrors that of the protagonists in her recently reissued novel, In Dependence. Ladipo Manyika grew up in nor…
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Photo: Shevaun WilliamsEdwidge Danticat writes about death, even the most brutal, with a lyricism that reminds us of a primal paradox—within the deepest violence and loss, the life-force reasserts…
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Photo: Scott Campbell. Courtesy of Joy Harris Literary Agency I’m sure it wasn’t coincidental, when I phoned Alice Walker at her northern California home in August, to find her gardening…
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Editorial note: This sidebar appears with Erik Gleibermann’s essay “Inside the Bilingual Writer” in the same issue M arlon James’s use of Jamaican Patois in his 2015 Booker Prize–winning nove…
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Daniel Alarcón, Julia Alvarez, Sandra Cisneros, Edwidge Danticat, Junot Díaz, Ha Jin, Esmeralda Santiago, and Gary Shteyngart. Illustration by Jen Rickard Blair Through a series of interviews, E…