PHOTO: WakingPhotoLife/Flickr
Infiltrating Hong Kong’s noodle stalls, Lian-Hee Wee investigates the quick, mysterious writing used by waiters on order slips.
Nobody knows I’m a fraud. No on…
Essays
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PHOTO: Rikki Chan/Unsplash Now settled in Hong Kong, one of China’s most influential contemporary writers considers the city’s cultural positioning and how to improve its cultural ecology. When a…
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Light-damaged photograph of a man sifting through salt at the mines in Bilma, Niger. PHOTO: Ladan Osman In this lyrical introduction to her Alien Citizen Field Notes project, Ladan Osman challeng…
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LEFT The abandoned frame of a sedan. Car frames offer shade and serve as markers of graves as well as failed journeys. RIGHT Vehicles pause during the hottest hours to avoid stressing the m…
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A former driver of migrants holds a peacock feather during his interview in Dirkou. PHOTO: Ladan Osman Traveling on to Dirkou, long a respite town on the desert road to and from Libya, and then…
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PHOTO: Jen Rickard Blair After translating more than two hundred titles into Spanish and Catalan, Carles Andreu focuses on his translations of Jennifer Egan’s work to consider the role of intuiti…
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Spiegel by Jaume Plensa at Yorkshire Sculpture Park, United Kingdom. PHOTO: puffin11k/Flickr Can contemporary reading methods catch up with the proliferation of and innovation in mult…
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PHOTO: Alexandru Acea/Unsplash Reviewing Ma Jian’s three-decades-long career, Elizabeth Fifer traces the banned and exiled Chinese writer’s deepening critique. A newly translated work of fic…
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Following the performances of two Haitian-inspired dances at the 2018 festival, Danticat delivered the following keynote to the audience of several hundred in attendance. 1 This past June I w…
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Photo: Parth Upadhyay/UnsplashReflecting back over Edwidge Danticat’s nonfiction, Renee H. Shea finds much to be grateful for in Danticat’s extension of her personal stories into political and soc…
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OU School of Dance students performing Women Like Us at the 2018 Neustadt Lit Fest / Photo by Nancy BarceloIn her latest collection of essays, The Art of Death: Writing the Final Story…
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Photo: Shevaun WilliamsThank you to the Neustadt Prize committee, Neustadt sisters and family, the University of Oklahoma, the incredible writers who served with me on the jury last year. It is my gre…
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Camp de la Transportation in French Guiana. Photo: Rodolphe HammadiIn this excerpt from French Guiana: Memory-Traces of the Penal Colony, Chamoiseau explores the possibilities of rewritin…
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Photo: Maged/FlickrThroughout its 2,500-year history, irrespective of whether it was a Carthaginian colony, a Roman provincial capital, a Portuguese colony, an English naval outpost, or a Moroccan…
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Releasing the Truth, mixed media on canvas by Florine Démosthène. Courtesy of the artist. What is this sense of dislocation? Do others have it? A wandering writer explores displacement o…
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A scene from the Metropolitan Opera’s production of Satyagraha. Photo: Ken Howard/Courtesy of LA Opera During a 1969 trip to India, composer Philip Glass was compelled to learn…
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The O-Töne literary festival brings hundreds of people to the central square of MuseumsQuartier. Photo courtesy of O-Töne. At the new Literaturmuseum, nestled in a historic building on Johannesgasse…
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Photo: Matan Eldar Israel and Lebanon, Hebrew and Arabic—so close, yet so far away. I'm driving down the coastal road, flashes of bright blue sea, glimmering gold and silver in…
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Tatiana Oroño and the musician Daniel Petruchelli, who set her poem “Elogio del camino” to music, taken at a performance at the Casa de los escritores (House of Writers) in Montevideo / Photos by Mar…
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Photo: Amelia Curran. © Six Shooter Records Is Canadian singer-songwriter Amelia Curran a mix of Leonard Cohen and Patsy Cline? A juggler of Robert Frost’s poems? Andrew DuBois considers her art…
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Inside the Fendika Cultural Center that houses the artists’ rehearsal space. All Photos (except where noted): Eric Ellingsen “Poetry is not a form, but rather a result.” –Amiri Baraka In front…
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An overgrown yard at a factory where statues of Lenin and other Soviet leaders used to be made. Photo: Philip Metres In the Den of the Voice” is part of The More You Love the Motherland,…
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Photo: A still from “This is America” by Childish Gambino Poet Ladan Osman considers how Childish Gambino obliterates rooted acts of black optimism and expression, leading us to underst…
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Photo: Shevaun Williams & Associates After watching the dance adaptation of her story “Sand” at the 2018 Puterbaugh Festival, Erpenbeck delivered the following keynote, in which she…
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This year’s fiftieth-anniversary Puterbaugh Festival of International Literature & Culture set a new high-water mark in the cultural life of the University of Oklahoma, in a series already distin…