| “The Late Arrival of the Native American Detective,” by J. Madison Davis
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m.khans
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| “The Life and Times of Perry Mason: The Evolution of Today’s Legal Thrillers,” J. Madison Davis
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m.khans
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| “The Literary Salon” by Žydrūnas Drungilas
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m.khans
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| “The Local as the Global: Reflections on Teaching World Literature,” by Emad Mirmotahari
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m.khans
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| “The Lost Cities of the Amazon: A Conversation with Milton Hatoum” by Charlotte Rogers
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m.khans
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| “The Magic and Poetry of Parraruru: From Recovery to Discovery in Aboriginal Literature” by Shon Arieh-Lerer
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m.khans
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| “The Mandala,” from Amor sin fin (Forever Love) by Claribel Alegría
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[email protected]
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| “The Meltdown,” by Baret Magarian
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m.khans
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| “The Meltdown,” by Baret Magarian
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m.khans
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| “The Milwaukee County Zoo Milwaukee, Wisconsin,” Pattiann Rogers
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m.khans
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| “The Mosaic Theater Company,” by Hannah Grillot
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[email protected]
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| “The Most Important Way to Love and Peace Is Justice”: A Conversation with Samar Yazbek, by Stephanie Papa
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m.khans
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| “The Mountain That Eats Men: Dark Ecotourism in Potosí, Bolivia” by Tom Zoellner
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m.khans
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| “The Mysterious Bookshop,” by Tyler McElroy
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[email protected]
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| “The Nameless Saints” by Andrés Felipe Solano
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m.khans
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| “The Nameless Saints” by Andrés Felipe Solano
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m.khans
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| “The Needle Always Points East in Mathias Énard’s Compass,” by Rob Vollmar
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m.khans
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| “The Neustadt Prize and the Framing Effect,” by William Marling
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m.khans
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| “The Nightmare Tropes of Three Women Writers: Leïla Slimani, Karen Dionne, and Yrsa Sigurðardóttir,” by J. Madison Davis
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[email protected]
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| “The Norman Chronicles,” by Chantal Bizzini
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[email protected]
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| “The Objects,” by Yuri Herrera
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m.khans
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| “The Origins of Smudges” by Adnan Mahmutović
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m.khans
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| “The Persistence of Books,” by Rebecca L. Walkowitz
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m.khans
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| “The Person and the Personal,” by Matthew Landrum
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[email protected]
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| “The Pillar of Salt,” by Zsuzsa Takács
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[email protected]
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| “The Politics of Crime: South Africa’s New Socially Conscious Genre,” by J. L. Powers
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m.khans
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| “The Power of Normal: Exploring the Notion of Story Structure,” by Nii Ayikwei Parkes
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[email protected]
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| “The Prisoners of the Past,” Deena Padayachee
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m.khans
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| “The Punished Body: An Interview with Pedro Lemebel,” by John Better
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m.khans
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| “The Ranks of Winners” by Michela Murgia
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m.khans
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| “The Rehearsal: Poetry-Jazz in Addis Ababa,” by Eric Ellingsen
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[email protected]
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| “The Return of Scheherazade, or the Rise of the Iraqi Novel after 2003,” by Sadek R. Mohammed
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[email protected]
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| “The Road from There to Here,” Rohinton Mistry
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m.khans
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| “The Scold’s Bridle,” by Dubravka Ugrešić
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m.khans
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| “The Secret History of Female Muslim Empowerment: A Conversation with Kenizé Mourad,” by Jacob Daniels
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m.khans
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| “The Shape of Arab Music to Come,” by Rob Vollmar
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m.khans
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